A "House Concert" is just what the name suggests: a musical performance in a house!
FlyingCatConcerts(at)gmail.com / 317-466-7953
or just hit the button to the right
Be sure to let us know which concert you'll be attending and how many in your party. You'll receive a confirmation with the street address, directions, and details.
Suggested Donation: $10-$15 per person - all proceeds go to the performers. Look for the donation jar in the kitchen, we basically use the honor system.
Guests are invited to bring a dish for a casual, “cocktail party” style buffet of light snacks, finger food, and sweets. Bottled water will be provided, and you may bring wine, beer, etc.
We present a variety of musical styles, including Folk, Roots, Celtic, Bluegrass and contemporary Singer-Songwriters. These events are up close and personal, providing an intimate experience for both audience and musicians. We promote a “listening room” atmosphere during the performance; concerts also include a social hour so you can talk with your friends and meet the performers.
"Flying Cat" House Concert Series | Indianapolis, IN | FlyingCatConcerts(at)gmail.com | 317-466-7953
Making the World a Better Place: One House Concert at a Time
A gifted storyteller but still relatively new to songwriting, Weber was a 2012 finalist in the legendary Kerrville ʻNew Folkʼ competition as well as the prestigious Dave Carter Songwriting Contest in 2010. Folk DJ Jack Pohl, Portland OR, says, “ ʻHank and Jesusʼ by Dan Weber is easily the best folk song I heard last year. It has a timeless and authentic ʻMe and Bobby McGeeʼ feel to it.”
Following in the long tradition of great singer-songwriters, Weber entertains audiences with inspired and energetic performances, telling hilarious, true stories from the many roads heʼs traveled. His songs are both heartbreaking and funny, and are rich in imagery, history, and full of lifeʼs hopes and ironies. Says Ramblinʼ Jack Elliott, “I love Danʼs songs and he tells really good stories.”
Award Winning songwriter Dan Weber has been described as “The classic mid-life overnight sensation.”
Since their debut in 2007, Shannon Wurst and her voice--the one that wraps around you like a sweet, slow slick of molasses--have firmly established themselves at the intersection of everyman folk and Americana rooted in the traditions of Alison Krauss and Dolly Parton.
Based out of Fayetteville Arkansas, Wurst tours extensively. Recent live performances include the Kerrville Folk Festival as a new folk finalist. She is the recipient of the Arkansas Fellowship Award in Folk Composition, was a semi‐finalist in A Prairie Home Companion’s “Talented Twenties Contest,” and has twice been selected as a Folk Alliance International Official Showcase Artist.
By turns plaintive and playful, Wurst’s songs wade into the deep waters of lost love, winding rivers and small‐town gossip before setting their lyrical sights on lighter fare, including an ambitious ivory‐billed woodpecker masquerading as a black crow in 2010’s critically‐acclaimed What’s More Honest Than a Song? A 2011 review by Jivewired called the album, Wurst’s sophomore solo effort, one of the most quietly beautiful records of the year, describing her sound as that of “backpack‐wearing broken‐heart balladry” with “a bittersweet honesty that reads like a musical diary” cut by a sense of “wide‐eyed optimism infused with a charming levity.”
Her fourth solo album, Lionheart Love, draws inspiration from her travels, a release of wanderlust marked by indulgence in moments of quiet introspection, stops at junk stores, run‐ins with a cult or two, and a concerted effort to learn to conquer love, both past and present, requited and unrequited, on a scale lived large.
Upon his return from a 1997 trek throughout war ruined Bosnia-Herzegovina, Jon quit writing songs and performing, claiming, "I'm at least a 1000 books and emotions shy of earning the right to stand behind a microphone." Eight years later - Jon dusted off his Taylor 615 Jumbo.
Though Jon's music is filled with grey and morally ambiguous characters living on the outskirts of approval, his mandate is unequivocal: "I'm not interested in writing 'happy songs' - I've chosen to write healing songs and for that reason, I'm obliged to reveal a wound or two now and then. That said, I'm less interested in writing 'unhappy songs': I want to write hopeful songs, inspiring songs and I expect I owe today's listener some compelling argument as to why we should believe our present world can be improved, or healed. A song's highest aim is to invoke empathy - to offer that rare sight of ourselves in others. In this sense, the songwriter is simply trying to 'politicize love', hence my contention: today's songwriter should be a lobbyist for compassion to be our principle representative in government office."
Jon's new record, DELICATE CAGES (2011) takes its title from the Robert Bly poem, TAKING THE HANDS: Taking the hands of someone you love/You see they are like delicate cages...
Delicate Cages aims to reveal the complicit natures of good and evil, love and fear, and freedom and imprisonment. The DELICATE CAGES we live within are forms of enslavement - and not all 'cages' are necessarily bad. On his latest and most urgent and accessible collection of songs, Jon Brooks promises freedom to all who choose love over fear.
Cosy Sheridan has been called "one of the era's finest and most thoughtful singer/songwriters" She first appeared on the national folk scene in 1992 when she won the songwriting contests at The Kerrville Folk Festival and The Telluride Bluegrass Festival.
Since then she has released 10 cds, written a one-woman-show and her music has appeared in books and film. She has taught songwriting, guitar and performance workshops at music camps for the past 15 years, including The Puget Sound Guitar Workshop and The Swannanoa Gathering. She is the director of The Moab Folk Camp in Moab, Utah.